Tuesday, 13 October 2015

Thriller Research Now You See Me

Now You See Me 
  • shot reverse shot in the first edits 
  • key lighting coming from a strong side angle 
  • filler lighting on the pack of cards 
  • sound track is faint in the background 
  • fast music 
  • all straight shots
  • mainly slow speed editing 
  • tilt upwards to the building 
  • music increases in volume (parallel sound)
  • only light shown is the building, shot at night (mysterious)
  • high pan of the building showing its hight
  • straight cut to the eyes of Woody 
  • dramatic light change
  • music cuts quiet as the edit changes 
  • Woody always staying in shot, the person we focus on 
  • key lighting is coming from the same place as when Jesse is filmed 
  • helps tie them together 
  • closed frame on Jesse then on Woody 
  • as Woody guesses the first name of a women it matches with multiple close ups of the mans face 
  • creating intensity 
  • edits slow down as he guesses it 
  • soundtrack stops until the next scene with an establishing shot of the river 
  • more obvious hand held filming, showing more about his character
  • long edits 
  • uses natural top lighting from the sun 
  • loud atmospheric sound of the boat and talking 
  • suddenly around three short closeup frames of Jack Wilder as his trick was worked out 
  • some point of view shots of the audience 
  • cuts then from a really light scene to a dark club like setting 
  • key light is under the water from below 
  • spot light on Isla 
  • mainly the sound of the crowd is heard 
  • using open shots of the crowd meaning that you do not focus on one person apart form her 
  • the music increases in volume as the crowd got quiet 
  • fairly high speed editing towards the end 
  • through out the opening it is all crosscutting as they all have something in common, telling us that they will meet 

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